Text Patterns - by Alan Jacobs
Showing posts with label plagiarism. Show all posts
Showing posts with label plagiarism. Show all posts

Friday, August 20, 2010

jest the second

So, in footnote 304 — ten thousand words or so ostensibly devoted to a history of Les Assassins des Fauteuils Rollents — we get a beautifully and truly prophetic account of online plagiarism, a topic of occasional interest here at TP. A teenager named James Struck consults the B.P.L. ArchFax database for information about this group, “one of the most feared cells in the annals of Canadian extremism,” while researching a paper he must write for his History of Canadian Unpleasantness class. And of course the possibility of copying and pasting from an online source is irresistible to him. He spends a lot of time thinking not only about what he’s going to steal but also how he’s going to conceal the theft — though as he grows more and more exhausted he also grows less and less self-critical, and ends up just tossing stuff in that surely will get him nabbed. Then:

What’s interesting to Hal Incandenza [the closest thing IJ has to a protagonist] about his take on Struck [and some other students] is that congenital plagiarists put so much more work into camouflaging their plagiarism than it would take just to write up an assignment from conceptual scratch. It usually seems like plagiarists aren’t lazy so much as kind of navigationally insecure. They have trouble navigating without a detailed map’s assurance that somebody has been this way before them. About this incredible painstaking care to hide and camouflage the plagiarism — whether it’s dishonesty or a kind of kleptomaniacal thrill-seeking or what — Hal hasn't developed much of any sort of take.

But surely the “navigationally insecure” — acute phrase, that — are unlikely to be thrill-seekers. Isn't it more likely that they’re not just hiding their sources, but also hiding — from themselves as much as from their teachers — the fact of their insecurity?

And one more thing: the article Struck plagiarizes explains that Les Assassins des Fauteuils Rollents have their origin in a game played by Québécois teenagers. It's called Le Jeu (or La Culte) du Prochain Train, and the goal of the game is to stand next to railroad tracks as a train approaches, with five other people, and to be the last of the six to leap across the tracks. Supposedly this leads to players who jump an instant too late and have their legs severed by the onrushing train. Now, here's the point: the whole story is completely nonsensical. You couldn't possibly play such a game. Start with the fact that the players would have to stand in a row so that they're not equidistant from the train; plus no one jumping across tracks would do so with legs neatly trailing behind to be conveniently severed (try it and see). The game is, I believe, only described in the article Struck consults — though it's mentioned in at least one other place without description — so maybe the article is completely fabricated. Maybe Struck is being suckered. (I haven't finished the book yet, so perhaps I'll find out.)

Monday, August 2, 2010

plagiarists' excuses

This is a reasonably good story about plagiarism, covering the usual theories about How Social Media Are Changing Our Kids, but offering some rebuttals as well. But there’s one point that always emerges in stories on this topic that bug me a little, i.e.:

At Rhode Island College, a freshman copied and pasted from a Web site’s frequently asked questions page about homelessness — and did not think he needed to credit a source in his assignment because the page did not include author information. . . .

And at the University of Maryland, a student reprimanded for copying from Wikipedia in a paper on the Great Depression said he thought its entries — unsigned and collectively written — did not need to be credited since they counted, essentially, as common knowledge.

Professors used to deal with plagiarism by admonishing students to give credit to others and to follow the style guide for citations, and pretty much left it at that.

But these cases — typical ones, according to writing tutors and officials responsible for discipline at the three schools who described the plagiarism — suggest that many students simply do not grasp that using words they did not write is a serious misdeed.

Hasn't anyone here ever heard of playing dumb? Anyone can say “I didn't know it was wrong” — but are they really as ignorant as they claim? Haven't people been pleading innocence-through-ignorance as long as there have been rules or laws? Let’s have a bit of skepticism here, people. Not all students are as clueless as they claim when backed into a corner.