From Megan Garber’s largely positive, thoughtful review of Clay Shirky’s Cognitive Surplus:
But the problem with TV, in this framing, is its very teeveeness; the villain is the medium itself. The differences in value between, say, The Wire and Wipeout, here, don’t much matter — both are TV shows, and that’s what defines them. Which means that watching them is a passive pursuit. Which means that watching them is, de facto, a worse way — a less generous way, a more selfish way — to spend time than interacting online. As Shirky puts it: “[E]ven the banal uses of our creative capacity (posting YouTube videos of kittens on treadmills or writing bloviating blog posts) are still more creative and generous than watching TV. We don’t really care how individuals create and share; it’s enough that they exercise this kind of freedom.”
The risk in this, though, for journalism, is to value creation over creativity, output over impulse. Steven Berlin Johnson may have been technically correct when, channeling Jeff Jarvis, he noted that in our newly connected world, there is something profoundly selfish in not sharing; but there’s a fine line between Shirky’s eminently correct argument — that TV consumption has been generally pernicious in its very passivity — and a commodified reading of time itself. Is the ideal to be always producing, always sharing? Is creating cultural products always more generous, more communally valuable, than consuming them? And why, in this context, would TV-watching be any different from that quintessentially introverted practice that is reading a book?
Sometimes it seems that in Shirky’s ideal world everyone is talking and no one is listening.
(I commented on the idea that not sharing is selfish here.)